Today, join me in welcoming one of my favorite people and authors, Jeffe Kennedy, who’s here to THE FORESTS OF DRU, book four in her Sorcerous Moons series. Isn’t that an awesome cover?
ABOUT JEFFE: Jeffe Kennedy is an award-winning author whose works include novels, non-fiction, poetry, and short fiction. She has been a Ucross Foundation Fellow, received the Wyoming Arts Council Fellowship for Poetry, and was awarded a Frank Nelson Doubleday Memorial Award.
Her most recent works include a number of fiction series: the fantasy romance novels of A Covenant of Thorns; the contemporary BDSM novellas of the Facets of Passion; an erotic contemporary serial novel, Master of the Opera; and the erotic romance trilogy, Falling Under, which includes Going Under, Under His Touch and Under Contract.
Her award-winning fantasy romance trilogy The Twelve Kingdoms hit the shelves starting in May 2014. Book 1, The Mark of the Tala, received a starred Library Journal review and was nominated for the RT Book of the Year while the sequel, The Tears of the Rose received a Top Pick Gold and was nominated for the RT Reviewers’ Choice Best Fantasy Romance of 2014. The third book, The Talon of the Hawk, won the RT Reviewers’ Choice Best Fantasy Romance of 2015. Two more books followed in this world, beginning the spin-off series The Uncharted Realms, with The Pages of the Mind in May 2016 and The Edge of the Blade in December 2016.
She lives in Santa Fe, New Mexico, with two Maine coon cats, plentiful free-range lizards and a very handsome Doctor of Oriental Medicine.
Jeffe can be found online at her website: JeffeKennedy.com, every Sunday at the popular SFF Seven blog, on Facebook, on Goodreads and pretty much constantly on Twitter @jeffekennedy.
ABOUT THE FORESTS OF DRU (Sorcerous Moons #4): An Enemy Land: Once Princess Oria spun wicked daydreams from the legends of sorceresses kidnapped by the barbarian Destrye. Now, though she’s come willingly, she finds herself in a mirror of the old tales: the king’s foreign trophy of war, starved of magic, surrounded by snowy forest and hostile strangers. But this place has secrets, too—and Oria must learn them quickly if she is to survive. A Treacherous Court: Instead of the refuge he sought, King Lonen finds his homeland desperate and angry, simmering with distrust of his wife. With open challenge to his rule, he knows he and Oria—the warrior wounded and weak, the sorceress wrung dry of power—must somehow make a display of might. And despite the desire that threatens to undo them both, he still cannot so much as brush her skin. A Fight for the Future: With war looming and nowhere left to run, Lonen and Oria must use every intrigue and instinct they can devise: to plumb Dru’s mysteries, to protect their people—and to hold fast to each other. Because they know better than any what terrifying trial awaits…
Buy links can be found here: http://www.jeffekennedy.com/the-forests-of-dru/
And now let’s hear from Jeffe as I put her on the spot!
THE SERIES CONUNDRUM
So, Suzanne has thrown down the gauntlet for me today, pointing out that THE FORESTS OF DRU is the fourth book in my Sorcerous Moons trilogy series. She asked me questions that plague all authors of series, I believe:
How to know when to continue a series?
When to end it?
When to morph one into a spinoff?
It’s funny timing for me, because just last night I was messaging with another author friend about series and reader expectations. I mentioned J.D. Robb’s In Death books and how the 44th book in that series is coming out on February 7. (Which, hooray!!) She said, “Good gawd. I’d have burnout as either reader or writer with a series that long.” Then belatedly asked me if I’d read them all.
My answer? Yes, I have. I have those books on auto-buy and eagerly look forward to their twice-yearly arrival. And in 2014, I went back and read the series from the beginning through book #39 (plus the nine short stories and novellas), just to see how she pulled it off. Because I have not burned out on that series. Not to say that there aren’t plenty out there that I have stopped reading—and would opine that the authors of those should have long-since stopped with them—but this is one that remains evergreen for me.
Now, J.D. Robb (which is a pseudonym for mega-selling author Nora Roberts) doesn’t have any concerns about her publisher cutting off the series. This is something that happens all too often in traditional publishing. Series get “orphaned” when the publisher decides for one reason or another (and puzzlingly, not always because sales are bad, or at least, not dismal) to not contract for any more books. I can think of five authors offhand who planned trilogies (or four or five books) where the publisher stopped buying them after the first two. Some of them had large fan followings who were disappointed not to find out what happened next.
In the bad old days, an author had little to no recourse. The series would be effectively killed. These days, authors have the option to continue the series on their own (unless they signed a terrible, restrictive contract) and self-publish it.
But then we come back to Suzanne’s questions. Should they??
I think the first thing to consider is the fan base. If the publisher dropped it because of poor sales, how bad are they, really? This isn’t always easy to know, because traditional publishers look primarily at Book Scan for these decisions and that counts only print books sales. All the successful self-publishing authors tell me that ebook sales make up over 90% (or more) of their sales. For the traditionally published author making this decision, ebook sales of the series are the key parameter. Also, it’s easy to be swayed by the passionate imploring of fans to continue the series, especially when they make personal contact, but if you figure on investing likely at least $2K in self-publishing the next book, you need more than 20 people to buy it to make back your investment.
Then the other side is how much the author cares. In a couple of those cases where I stopped buying and reading a series, the author had clearly stopped caring. I know of one who didn’t even want to write the last three books, but the publisher offered her so much money that she did it anyway. In other cases, the author might *care* but has lost touch with shaping a book with a complete arc. These series become almost masturbatory after a while, with the author just pleasing themselves and a few obsessed fans.
In the end, once the sales have been parsed—because those numbers do give a good reality check—it comes down to creative choice. An author might love a series enough to keep writing it even if the sales aren’t there.
That’s what it comes down to—a feeling of love for the story, world, and characters. Maybe that’s not the right word, but I don’t know a better one. With Sorcerous Moons, I’m still loving that tale and I’m not done telling it yet. I will be soon, in another book or two. I sometimes get asked if I’ll write more books in the Covenant of Thorns series and I don’t know that I will. That series feels done(ish) to me. I don’t have that same sense of connection. I don’t feel that love for it. Maybe if I go back to it, I’ll feel that passion for it again, but unless I do, I think anything I’d write would fall flat.
Thus my short answers to Suzanne’s questions are:
How to know when to continue a series? When you still love it!
When to end it? When you don’t love it anymore.
When to morph one into a spinoff? When that feels like the right thing to do.
Great summary of the whole problem, Jeffe! Of course, I asked for purely selfish reasons as I’m pondering the end of several series for different reasons that cover the gamut of emotions you mention—one I don’t love anymore, one the publisher abandoned because of its genre despite pretty good sales, and two that are on the fence and whose future I’m pondering.
What about you guys? Are there series you’ve abandoned? Some you’ll follow forever? Leave a comment for a chance to win a $10 Amazon gift card or Book Depo equivalent if you’re outside the U.S. And be sure and check out Jeffe’s Sorcerous Moons series!